I was introduced to felt making in 1998, and have been passionate about it ever since. I first exhibited my felted textiles in 2002 and encouraged by the enthusiastic response my work received, I took the plunge in 2004 and left my job in educational guidance, to concentrate on developing my career as a textile artist..
I individually design and handcraft each piece of felt, getting great satisfaction from the felting process, taking the raw materials to the finished product. Felt making is a physically demanding process, requiring strength and stamina, but I find it very therapeutic, as all the rubbing and rolling is a great stress buster!
I work with a range of materials and techniques to create my felted textiles. I enjoy learning and experimenting with different materials and felting techniques, so my work is continually changing and evolving. I have been exploring the potentials of un-dyed native breed wools, marrying together and contrasting the subtle colours and textures of the different wools. I have also been very excited by the technique of Nuno felting, a process of combining wool with silk and other fabrics to create unique tactile surfaces. I am fascinated by the appearance and qualities of the Nuno felts, which give the impression of fragility, yet are robust and durable fabrics. Currently I am experimenting with the potential of wool's memory, combining Shibori and resist techniques, to dye and mould the felt to create raised textured surfaces.
I work from my studio at home in Kings Heath, Birmingham, where I live with my partner and three children.
I am often asked where the name Silversoles comes from. I began by making children's booties with my felts for my children and used silver faux leather for the soles. I had such interest in the booties that I began to sell them, and needed a name. The booties distinct silver soles sprang to mind, and Silversoles was born!